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	<title>Performance &#8211; Das Kraftfuttermischwerk</title>
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	<title>Performance &#8211; Das Kraftfuttermischwerk</title>
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		<title>Währenddessen in New York</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/waehrenddessen-in-new-york/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/waehrenddessen-in-new-york/#respond</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 10:34:59 +0000</pubDate>
				<category><![CDATA[Nur mal so]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Pizza]]></category>
		<category><![CDATA[Rat]]></category>
		<guid isPermaLink="false">https://www.kraftfuttermischwerk.de/blogg/?p=164591</guid>

					<description><![CDATA[I love New York&#8230; https://t.co/0z5uaf9iTO &#8212; Rex Chapman🏇🏼 (@RexChapman) November 17, 2020 Der Performance Künstler Jonothon Lyons ist zur Zeit im Kostüm der legendären Pizza-Ratte&#8230;]]></description>
										<content:encoded><![CDATA[<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
<p lang="en" dir="ltr">I love New York&#8230; <a href="https://t.co/0z5uaf9iTO">https://t.co/0z5uaf9iTO</a></p>
<p>&mdash; Rex Chapman<img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f3c7-1f3fc.png" alt="🏇🏼" class="wp-smiley" style="height: 1em; max-height: 1em;" /> (@RexChapman) <a href="https://twitter.com/RexChapman/status/1328731347200987137?ref_src=twsrc%5Etfw">November 17, 2020</a></p></blockquote>
<p><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script></p>
<p>Der Performance Künstler <a href="https://www.instagram.com/jonothonlyons/?utm_source=ig_embed">Jonothon Lyons</a> ist zur Zeit im Kostüm <a href="https://www.kraftfuttermischwerk.de/blogg/pizza-rat/">der legendären Pizza-Ratte</a> in New York unterwegs. Nicht mehr, nicht weniger. </p>
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		<post-id xmlns="com-wordpress:feed-additions:1">164591</post-id>	</item>
		<item>
		<title>Klanginstallation aus Schüsseln, die im Wasser treiben</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/klanginstallation-aus-schuesseln-die-im-wasser-treiben/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/klanginstallation-aus-schuesseln-die-im-wasser-treiben/#respond</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Mon, 09 Dec 2019 21:21:36 +0000</pubDate>
				<category><![CDATA[Kopfkinomusik]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Sound]]></category>
		<guid isPermaLink="false">https://www.kraftfuttermischwerk.de/blogg/?p=154518</guid>

					<description><![CDATA[Ich glaube, ich hatte hier schon mal ähnliches, mag aber gerade nicht danach suchen und finde diese Installation gerade sehr meditativ. https://twitter.com/_SJPeace_/status/1204050819462696966]]></description>
										<content:encoded><![CDATA[<p>Ich glaube, ich hatte hier schon mal ähnliches, mag aber gerade nicht danach suchen und finde diese Installation gerade sehr meditativ. </p>
<p>https://twitter.com/_SJPeace_/status/1204050819462696966</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">154518</post-id>	</item>
		<item>
		<title>Sich den Kopf freistemmen</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/sich-den-kopf-frei-stemmen/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/sich-den-kopf-frei-stemmen/#comments</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Tue, 22 May 2018 09:25:21 +0000</pubDate>
				<category><![CDATA[Nur mal so]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Ich weiß es doch auch nicht!]]></category>
		<category><![CDATA[Performance]]></category>
		<guid isPermaLink="false">https://www.kraftfuttermischwerk.de/blogg/?p=134694</guid>

					<description><![CDATA[William Cobbing hat sich im Jahr 2004 offenbar mit irgendwas seine Birne einbetoniert, um sie dann später mit Hammer und Meißel wieder freizustemmen, oder diese&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="https://vimeo.com/33213902">William Cobbing</a> hat sich im Jahr 2004 offenbar mit irgendwas seine Birne einbetoniert, um sie dann später mit Hammer und Meißel wieder freizustemmen, oder diese Performance genau so aussehen zu lassen. Warum? Keine Ahnung. Kunst muss auf solche Fragen ja nicht antworten. </p>
<div class="fb-video" data-href="https://www.facebook.com/streetartglobe/videos/2236554103234670/" data-width="640" data-show-text="false">
<blockquote cite="https://www.facebook.com/streetartglobe/videos/2236554103234670/" class="fb-xfbml-parse-ignore"><p><a href="https://www.facebook.com/streetartglobe/videos/2236554103234670/"></a></p>
<p>Caption this work for us.<br />
Excavation by &#064;william.cobbing<br />
Follow Art Meme King</p>
<p>Gepostet von <a href="https://www.facebook.com/streetartglobe/">StreetArtGlobe</a> am Montag, 21. Mai 2018</p></blockquote>
</div>
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			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">134694</post-id>	</item>
		<item>
		<title>Eine Treppen-Trampolin Performance im Pariser Pantheon</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/eine-treppen-trampolin-performance-im-pariser-pantheon/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/eine-treppen-trampolin-performance-im-pariser-pantheon/#comments</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Tue, 24 Oct 2017 07:40:40 +0000</pubDate>
				<category><![CDATA[Nur mal so]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Performance]]></category>
		<guid isPermaLink="false">http://www.kraftfuttermischwerk.de/blogg/?p=126544</guid>

					<description><![CDATA[(Direktlink) Der Tänzer Yoann Bourgeois war Mitte Oktober im Rahmen des Festivals Monuments en Mouvemen im Pariser Pantheon, der Ruhmeshalle der französischen Hauptstadt, mit seiner&#8230;]]></description>
										<content:encoded><![CDATA[<p><iframe class="youtube-player" width="640" height="360" src="https://www.youtube.com/embed/iH0dKSZMF2s?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe><br />
<small>(<a href="https://youtu.be/iH0dKSZMF2s">Direktlink</a>)</small></p>
<p>Der Tänzer Yoann Bourgeois war Mitte Oktober im Rahmen des Festivals Monuments en Mouvemen im Pariser Pantheon, der Ruhmeshalle der französischen Hauptstadt, mit seiner Choreographie <em>&#8222;La mécanique de l&#8217;histoire&#8220;</em> <a href="http://www.monopol-magazin.de/pantheon">zu sehen</a>. Graue, statuengleiche Performer steigen ein Fragment einer Wendeltreppe hinauf, fallen seit-, oder rückwärts auf ein Trampolin und federn wieder zurück. Alles eher statisch als dynamisch. </p>
<blockquote><p>Die Pantheon-Performance, die auf Einladung des Théâtre de la Ville und des Centre des Monuments Nationaux stattfand, setzt sich mit der Erinnerungskultur nicht nur in dem im 18. Jahrhundert errichteten Prunkgebäude auseinander. Im Pantheon wurde 1851 das Foucaultsches Pendel der Öffentlichkeit vorgestellt, womit die Erdrotation nachgewiesen wurde. Auch darauf spielt &#8222;Die Mechanik der Geschichte&#8220; an. </p></blockquote>
<div align="center"><iframe src="https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FGolem13.fr%2Fvideos%2F1892207867479793%2F&#038;show_text=0&#038;width=476" width="476" height="476" style="border:none;overflow:hidden" scrolling="no" frameborder="0" allowTransparency="true" allowFullScreen="true"></iframe></div>
<p></br></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">126544</post-id>	</item>
		<item>
		<title>Der Schmerz eines brennenden Klaviers: Deconstructed Piano</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/der-schmerz-eines-brennenden-klaviers-deconstructed-piano/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/der-schmerz-eines-brennenden-klaviers-deconstructed-piano/#comments</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Fri, 05 Sep 2014 20:44:11 +0000</pubDate>
				<category><![CDATA[Nur mal so]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Laurin Döpfner]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Piano]]></category>
		<guid isPermaLink="false">http://www.kraftfuttermischwerk.de/blogg/?p=72934</guid>

					<description><![CDATA[Die Klavierliebhaber werden wieder schimpfen weil &#8222;Man sowas nicht macht!&#8220; und so. Ich aber mag dieses Video sehr gerne. Zwei Heißluftföhne (ich hätte die Marke&#8230;]]></description>
										<content:encoded><![CDATA[<p>Die Klavierliebhaber werden wieder schimpfen weil &#8222;Man sowas nicht macht!&#8220; und so. Ich aber mag dieses Video sehr gerne. Zwei Heißluftföhne (ich hätte die Marke abgeklebt) machen sich an einem Piano zu schaffen und legen es in 8 Stunden in Asche. Das ist nicht nur visuell auf wundersame Weise einnehmend, denn <a href="https://vimeo.com/laurindoepfner">Laurin Döpfner</a>, der schon für <a href="https://www.kraftfuttermischwerk.de/blogg/dinge-schleifen-timelapsed/">Verschleif</a> verantwortlich war, hat noch eine andere Intension. Ich find&#8217;s toll.</p>
<blockquote><p>&#8222;Deconstructed Piano&#8220; befasst sich mit der sukzessiven Zerstörung der Instrumentalmusik durch digitale Soundgeneratoren. zwei Roboter zerstören im Sturm den sanften Klang der Mondscheinsonate. Die Mondscheinsonate soll den Schmerz und die Trauer des Klaviers darstellen. Mit 650°c heizen 2 Heißluftgebläse auf das Holz des Klaviers und bringen dies immer weiter zum Einsturz bis es zusammenfällt. Mit insgesammt vier Kameras wird das ganze in Zeitraffer (alle 6 Sekunden ein Bild) aufgezeichnet. der Dreh, bzw die Performence dauerte ca 8 Stunden.</p></blockquote>
<p><iframe title="Deconstructed Piano" src="https://player.vimeo.com/video/100947616?dnt=1&amp;app_id=122963" width="500" height="281" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write"></iframe><br />
<small>(<a href="https://vimeo.com/100947616">Direktlink</a>, via <a href="http://devour.com/video/deconstructed-piano/">Devour</a>)</small></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">72934</post-id>	</item>
		<item>
		<title>Zwei Männer bewohnen 10 Tage lang ein Holzrad: In Orbit</title>
		<link>https://www.kraftfuttermischwerk.de/blogg/zwei-maenner-bewohnen-10-tage-lang-ein-holzrad-in-orbit/</link>
					<comments>https://www.kraftfuttermischwerk.de/blogg/zwei-maenner-bewohnen-10-tage-lang-ein-holzrad-in-orbit/#comments</comments>
		
		<dc:creator><![CDATA[Ronny]]></dc:creator>
		<pubDate>Thu, 06 Mar 2014 20:55:49 +0000</pubDate>
				<category><![CDATA[Nur mal so]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[in Orbit]]></category>
		<category><![CDATA[Performance]]></category>
		<guid isPermaLink="false">http://www.kraftfuttermischwerk.de/blogg/?p=60978</guid>

					<description><![CDATA[Ward Shelley und Alex Schweder haben 10 Tage ihres Daseins in dieser Kunstinstallation namens &#8222;in Orbit&#8220; verbracht. Das Dingen hat bis auf ein Klo alles,&#8230;]]></description>
										<content:encoded><![CDATA[<p><a href="http://www.wardshelley.com/">Ward Shelley</a> und <a href="http://www.alexschweder.com/">Alex Schweder</a> haben 10 Tage ihres Daseins in dieser Kunstinstallation namens &#8222;in Orbit&#8220; verbracht. Das Dingen hat bis auf ein Klo alles, was auch eine Einraumwohnung so hergibt. Nur eben etwas komprimiert auf ein Holzrad mit 7,6 Meter Durchmesser. Da muss man sich schon einig sein, wenn einer ins Bett oder an der Schreibtisch will. Oder einer pinkeln muss und der andere gerade in der Falle liegt.</p>
<blockquote><p>All its furniture and accommodations are fixed along its circumference. To bring the users the things they require during the day, they must walk in tandem to rotate the giant wheel. The artists will live in the structure 24/7 from February 28 through March 9, 2014. From that date until April 5, 2014, the end of the exhibition, the structure will remain on view in the exhibition space as an installation&#8220;
</p></blockquote>
<p>So kann man die Wohnraumproblematik auch lösen, aber meine Sache wäre das ja nicht.</p>
<p><iframe loading="lazy" class="youtube-player" width="640" height="360" src="https://www.youtube.com/embed/RhhgP7HSlPI?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox"></iframe><br />
<small>(<a href="http://youtu.be/RhhgP7HSlPI">Direktlink</a>, via <a href="http://www.likecool.com/2_Men_Are_Living_in_This_Spinning_House_for_10--Projects--Gear.html">Like Cool</a>)</small></p>
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