Projektionsmapping auf einem geparkten Auto
von u/ycr007 in oddlysatisfying

Until recently, Moscow was covered in snow. And the giant ultra-foxes were sleeping peacefully in the courtyards of the „round houses“ they loved so much. But now it’s spring. This means that the foxes will soon go away from the city, from civilization, to equip their summer ultra-burrows. For me personally, spring is always kind of illusion of a new beginning. Like „well, finally, from now everything will be different, from now everything will be fine.“ I don’t know where this feeling comes from. Probably from the childhood. Somewhere in the subcortex there is a feeling of approaching summer holidays. But of course, we are not going to have any holidays any more. The most we can expect is a vacation. But this is different. So we can only watch with envy as the ultra-foxes go into the woods.

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Ein Beitrag geteilt von Вадим Соловьёв (@solovyewadim)

(via this isn’t happiness)

The major highways, the arteries and veins of our cities.

https://vimeo.com/452595111
(Direktlink, via Nag on the lake)

An enormous aquarium with perpetually crashing waves has popped up amidst an urban landscape in South Korea, but don’t expect to hear the water sloshing around if you walk by. Designed by District, the elevated tank is actually a massive anamorphic illusion. The digital media company created the public project utilizing the world’s largest advertising screen that spans 80.1 x 20.1 meters. As shown in the video, the deceptive aquarium looms over the outdoor area and splashes repeatedly into the sides.

https://vimeo.com/418805776
(Direktlink, via Colossal)

https://vimeo.com/206068020
(Direktlink, via Robo Tron)

Glaubt man dieser Beschreibung, ist die Technik allerdings so neu gar nicht, sondern wurde hierfür schon 1995 praktiziert. Das wäre zu der Zeit ein perfektes Techno-Video gewesen. Oder auch heute ein nicht weniger perfektes BoC Video.

Pacer looked at the world in a way no film had before it. The geometry of the city and its construction, the artistry of Montreal’s landscape seen the hyper-prism of a camera racing through time on different dimension. Compressed imagery and physical motion combine in a never-been-seen-before kind of way.

Pacer can lay claim to being the first hyperlapse film, or at the very least, to being the precursor to it’s development. It was shot on a Bolex 16mm camera in Montreal, Quebec in 1995. Shooting single frames, all the ‚effects‘ are done in camera. The film’s original negative was destroyed in it’s one and only printing in 1995. That print was screened once and telecined for posterity, and the print was never projected again.

The film would’ve fallen into obscurity, except for the low rez video version that was included in a VHS video magazine called Channel Zero in 1996. Other visual artists like TopherZ of the Dandelion Collective who saw that Channel Zero and began to pick up the technique, and with Guy Roland’s subsequent film, Spacer, in 2004 (later known as Kino Citius), the technique of hyperlapse took shape.

The only print of the film was carefully transferred to 2K digital in 2014 and painstakingly remastered in early 2015, resulting in the version you see here.

(Direktlink)

In my dictionary Hyde Park is a synonym for landscapes, in whatever form.
I create this audiovisual experience through music and film.
The music that I make lets you drown in a bath of warm sounds.
My first LP, Hidden Nature, just got released on the label 6e Kolonne.
When I’m playing live I use my mobile studio, which is equipped to make the music go in any direction.
From soothing ambient to hard rhythms, as long as it’s consistent with the landscape visuals.
All my visuals are filmed from a fishbowl.
In my fishbowl I create a world where gravity is changing.
As a cameraman I react on the situations that occur.

https://vimeo.com/120195399
(Direktlink)

https://vimeo.com/123752837
(Direktlink)

(Direktlink, via Creators Project)

These massive nappers were projected throughout NYC over the course of several weeks, occurring unannounced, and each lasting only for a few hours. An unsuspecting audience usually emerges at each location, often sparked with intrigue, sometimes enlightenment, and always a whole lot of questions.

(Direktlink, via TDW)

On the space that widens between you and your imagination as you grow old.

https://vimeo.com/120485887
(Direktlink, via Laughing Squid)

Leider nicht zum Embed. Gnarf! Aber den zusätzlichen Klick ist das Video allemal wert.

Outsized switches on street corners.
Passers-by – strangers and neighbours – bewildered, come and press the switch.
Giant eyes and mouths appear on buildings, transformed and alive for one minute, before disappearing yet leaving an indelible image in one’s mind.
Monumental street art and city transformation, Turn Me ON is available to tour in your city.

Das Ganze lässt sich wohl auch buchen.

(Direktlink, via this isn’t happiness)

(Direktlink)

https://vimeo.com/111202341
(Direktlink)

Nova is an experimental study of the visual arts technique slit scan with a particular focus on emphasising its spacial and temporal properties. The slit scan image is created using video footage of bioluminescent deep sea creatures, particularly Comb Jellyfish. These creatures acted as a source of inspiration for the form and animation. The resulting structure resembles a surreal organism that is locked into an ever-increasing state of perpetual growth, decay and transformation.

(Direktlink)

Gánovce is the name of a village in Slovakia. Visual artist Taras Gesh filmed the village from different angles. He made sketches, took photos, recorded sounds and put them all together in this mesmerizing kaleidoscope.

http://vimeo.com/98585400
(Direktlink, via Like Cool)

(Direktlink)

(Direktlink, via reddit)

(Direktlink, via Say OMG)