{"id":124726,"date":"2017-09-04T21:59:13","date_gmt":"2017-09-04T19:59:13","guid":{"rendered":"http:\/\/www.kraftfuttermischwerk.de\/blogg\/?p=124726"},"modified":"2017-09-04T21:59:13","modified_gmt":"2017-09-04T19:59:13","slug":"wie-der-fade-out-in-die-popmusik-kam","status":"publish","type":"post","link":"https:\/\/www.kraftfuttermischwerk.de\/blogg\/wie-der-fade-out-in-die-popmusik-kam\/","title":{"rendered":"Wie der Fade Out in die Popmusik kam"},"content":{"rendered":"

Vox‘ Earworm in der neuen Episode<\/a> dar\u00fcber, wie der Fade Out<\/a> seinen Platz in der Popmusik fand. Immer noch ein klasse Format. <\/p>\n

The fade out in music is one of those necessary tools in a record producers arsenal. But if you listen to today’s hits it’s much more likely you’ll hear a song that has a hard abrupt electronic ending. Bill Weir, wrote a great piece at Slate a few years ago tracking the rise and fall of the fade out in pop music: from one of the very first fade outs created by a literal wooden door to the epic 4 minute fade out of „Hey Jude.“ In the video above he brings me through that sonic journey. <\/p><\/blockquote>\n