{"id":186235,"date":"2023-02-10T10:10:57","date_gmt":"2023-02-10T09:10:57","guid":{"rendered":"https:\/\/www.kraftfuttermischwerk.de\/blogg\/?p=186235"},"modified":"2023-02-10T10:10:57","modified_gmt":"2023-02-10T09:10:57","slug":"ueber-dvd-menues","status":"publish","type":"post","link":"https:\/\/www.kraftfuttermischwerk.de\/blogg\/ueber-dvd-menues\/","title":{"rendered":"\u00dcber DVD-Men\u00fcs"},"content":{"rendered":"

F\u00fcr die Jungen ist das wohl kein Thema mehr, wir \u00c4lteren aber kennen die H\u00fcrde von DVD-Men\u00fcs noch gut, die wir erst klicken mussten, um dann an einen Film zu kommen. Einige habe ich damals in iDVD noch selber erstellt. Der Guardian hat dem DVD-Men\u00fc einen recht umfangreichen Artikel gewidmet<\/a>. So war das damals.<\/p>\n

At the dawn of the DVD, menus were essential, as they listed \u2013 sometimes in very inventive ways \u2013 all the extras that were intended to enhance your viewing pleasure. \u201cWe had to convince people what made a DVD so special,\u201d says Fletcher, who worked on some of the very first to be released in the US. The new format offered interactivity: games, gags, alternative scenes and hidden extras known as \u201cEaster eggs\u201d that persuaded people to drop \u00a320 on their first ever Digital Versatile Disc. And because menu design was so new in the late 90s and early 00s, artists such as Fletcher had an impressive amount of creative freedom. \u201cIt was an open wild, wild west,\u201d he says. \u201cWe could do what we wanted.\u201d<\/p><\/blockquote>\n