{"id":58260,"date":"2014-01-20T21:01:48","date_gmt":"2014-01-20T20:01:48","guid":{"rendered":"http:\/\/www.kraftfuttermischwerk.de\/blogg\/?p=58260"},"modified":"2014-01-20T21:01:48","modified_gmt":"2014-01-20T20:01:48","slug":"die-visualisierten-flugrouten-von-voegeln","status":"publish","type":"post","link":"https:\/\/www.kraftfuttermischwerk.de\/blogg\/die-visualisierten-flugrouten-von-voegeln\/","title":{"rendered":"Die visualisierten Flugrouten von V\u00f6geln"},"content":{"rendered":"

K\u00fcnstler Dennis Hlynsky<\/a>, Professor an der Rhode Island School of Design, nimmt leidenschaftlich gerne die Wege auf, die Tiere so hinter sich lassen. Vor allem die Flugrouten von V\u00f6geln scheinen ihm besonders zu imponieren. So h\u00e4lt er seine Kamera auf Vogelschw\u00e4re und zeichnet die prim\u00e4ren Flugrouten derselbigen in After Effects nach. In der Summe sieht das nach einem ziemlich gut sortierten Chaos aus. Hier sein Vimeo-Account<\/a>. <\/p>\n

Hlynsky first started filming birds in 2005 using a small Flip video recorder, but now uses a Lumix GH2 to record gigabytes of bird footage from locations around Rhode Island. He then edits select clips with After Effects and other tools to create brief visual trails that illustrate the path of each moving bird. Non-moving objects like trees and telephone poles remain stationary, and with the added ambient noise of where he was filming, an amazing balance between abstraction and reality emerges. The birds you see aren\u2019t digitally animated or layered in any way, but are shown just as they\u2019ve flown, creating a sort of temporary time-lapse.\n<\/p><\/blockquote>\n