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Das Kraftfuttermischwerk Beiträge

Wandverbuntmachung in Sao Paulo

20. Juni 2010 um 23:01 Uhr von Ronny

„Graffitis machen graue Wände lebendig. Ich wünschte, ich könnte das auch.“, meinten Keimzeit mal. Ähnliches muss sich wohl Mundano gedacht haben, als er an einem sehr grauen, kurz vor dem Verfall stehendem Hotel in Sao Paulo dieses bunte Bild an die Fassade knallte.

The graffiti artist „Mundano“ painted a big Brazilian flag on this building that for more than a decade, the old Santos Dumond Hotel, in downtown Sao Paulo, was empty. Today, it shelters more than 120 families that have illegally occupied the building.


(Direktlink, via abduzeedo)

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Kubrick vs. Scorsese – 25 days, 34 films, and 1 tribute

20. Juni 2010 um 22:32 Uhr von Ronny

Ein cineastisches Mashup. Und was für eins!

Editor’s note: Many friends after seeing my video „Tarantino vs Coen Brothers“ requested me to do a new video duel of directors, so I decided to do now a tribute to my two favorite directors, Stanley Kubrick and Martin Scorsese, were 25 days re-watching 34 films, selected more than 500 scenes, and a hard work editing. Leave a comment, suggest new duels.


(Direktlink, via The Daily What)

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Download: bvdub – 2 hours and 20 years

20. Juni 2010 um 21:27 Uhr von Ronny

Das. Ist. Episch.

Ich tue mich etwas schwer damit, immer wieder auf die Genialität von Leuten hinzuweisen, wenn ich das schon mehrfach getan hatte. Heute mal wieder bvdub. Kaum ein anderer hat mir in den letzten beiden Jahren soviel Zeit vor dem Rechner versüßt, wie eben genau jener. Der Mann definiert Ambient völlig eigen und stellt so ziemlich jeden in den Schatten, der sich auch am Ambient versucht. Schlicht ein Meister seines Faches.

Headphone Commute hat gerade einen Mix am Start, der genau das fett unterstreicht: 2 hours and 20 years. Und der Rest kann gehen.

This weekend we have another outstanding mix for you! 2 hours and 20 years has been put together by Brock Van Wey, releasing under bvdub, exclusively for Headphone Commute. It is indeed special, since this is Brock’s first mix made in 15 years with moments of elation. It was made on a 2-hour morning bus ride from Shanghai, where Brock reflected on the last 20 years immersed in electronic music. Carried by his emotional ups and downs, the mix incorporates a verity of tracks along the memory lane…

[audio:http://www.headphonecommute.com/mixes/Headphone_Commute_-_bvdub_-_2_hours_and_20_years.mp3]
(Direktdownload, via Deepgoa)

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Sonntagsmelodie: Sako – Last Days

20. Juni 2010 um 11:36 Uhr von Ronny

Großartiger Mix mit fantastischer Plattenauswahl von Sako.


(Direktlink, Direktdownload, via a strangely isolated place)

Tracklist:
1. Boards Of Canada – From One Source All Things Depend
2. Unkle – I Need Something Strong
3. Carbon Based Lifeforms – Abiogenesis
4. Minilogue – Six Arms and One Leg
5. a. Swod – I think He Was A Journalist
b. Boards Of Canada – A Is To B As B Is To C
6. Tripswitch – Strange Parallels
7. Peter Benisch – Waiting For Snow part 3
8. Boards Of Canada – Music Is Math
9. Yagya – Rigning Fimm
10. Dousk – Anagram
11. Trifonic – Parks On Fire
12. Trentemoller – Take Me Into Your Skin
13. Murcof – Reflejo
14. Kosi – Estrella
15. Lawrence – Winter Green
16. Autechre – 444
17. Freescha – Moving
18. Ulrich Schnauss – Shine (Mint Remix)
19. a. Near The Parenthesis – Empty Square
b. Last days – Leaving Home
20. Robert Babicz – Flower of Life

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Bewegtes Licht: Lightrails

19. Juni 2010 um 21:09 Uhr von Ronny

Lightrails ist eine lebendige Skulptur aus Licht, die zeigt, was im 21. Jahrhundert so machbar ist mit Licht und Beamern. So unspektakulär wie schön, was Strukt damit entwickelt hat.

‚Lightrails‘ is a light sculpture with the intention to re-define and re-interpret the exhibition room. An easy but effective mapping technique was used to create seamless projections on both sides of the object. Light-beams were triggered by the visitors and ran through the room, following the surface created by the sculpture. Each „reflection“ of the light-beam was accompanied by sound. The speed and brightness of the beam was directly influenced by the force the visitors used when triggering the beam stepping on pedals on the floor. This also influenced the volume of the sound-effects. The audio signal was played back on a surround sound system that allowed a spatial positioning of the sounds and created a truly immersive experience.ounds to create a truly immersive experience.


(Direktlink)

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