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Das Kraftfuttermischwerk Beiträge

Echospaces

Ich habe die Tage mal in meinem Feedreader aufgeräumt und bin über diesen Mix von Dave gestolpert. Veröffentlicht hat er diesen schon im letzten Jahr, gehört habe ich ihn erst heute. Alles darin kommt vom guten alten Label Echospce. Ambiente Elektronik mit Hang zum Dub. Die Tracklist ließt sich ein bisschen wie das Who is Who des Genres. Darauf jetzt schön gediegen ins Wochenende gleiten.

Tracklist:
:

00:00 Echospace [sounds] Presents – Forever In The Sky (Sequential Space 2022)
05:00 Intrusion – Twilight (The Seduction of Silence 2009)
10:00 Deepchord – Untitled 9 (Von Schommer 2002)
12:25 Radius – interpolation [restoration two] (Interpolation Tapes + Obsolete Machines 2019)
17:40 variant – sequential sleep [granular mix] (sequential sleep [series collection] 2025)
25:45 cv313 – Satosphere Sessions [Remnant I] (Satosphere Sessions [Transmission III] 2020)
33:33 Model 500 – Starlight (Echospace dub) (Starlight 2008)
36:42 Deepchord – Untitled 6 (Liumin Reduced 2010)
39:45 Variant – As Time Stood Still (The Setting Sun 2008)
49:45 Radius – transverse waves [tape master] (Interpolation Tapes + Obsolete Machines 2019)
55:40 Intrusion – Under The Ocean (The Seduction of Silence 2009)
59:39 Echospace [sounds] Presents – Our Last Sanctuary (Sequential Space 2022)

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20 Jahre eines Gartens im Zeitraffer in 5 Minuten

Das klingt erstmal spannender als es dann anzusehen ist. Dennoch ist die Vorstellung, dass die Kamera dort schon 20 Jahre hängt und immer noch für nicht-HD-Aufnahmen sorgt, irgendwie faszinierend.

his short video took 20 years to make.
One photo taken at noon every day from Trevor McGavin’s south-facing Lower Hutt New Zealand weather camera.
Played back at 25 frames (days) per second.
The camera was originally installed in the 1990s, but I can’t find any saved image files older than 2006.
The pictures were live on Trevor’s weather web page at the time. Before 2006, probably they were never saved.
The 1990s vintage StarDot Technologies „WinCam Live“ „high-resolution“ 640×480 serial RS232 interface camera is exposed to the weather and was already getting a bit tired by 2006 – faded colours, dirt accumulating inside the lens and image washed out – but it’s still going in 2026.
This video is slightly processed to reduce the amount of flicker and to restore natural colours.
There is no audio.


(Direktlink)

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Jeff Chill – Paul St. Hilaire / Tikiman Tribute Mix

Vor 8 Jahren hatte Jeff diesen Mix schon mal auf Soundcloud geparkt, wo er mittlerweile allerdings nicht mehr verfügbar ist. Nun hat er dieses zeitlose Stück Musik noch mal auf YouTube geladen. Das wird einfach nicht alt und passt mir gerade außerordentlich gut in die Stimmung.


(Direktlink)

Tracklist:
1) Dialogue – Bongo Shep
2) Rhythm & Sound w/ Tikiman – Ruff Way
3) Molekule – Rhauder feat. Paul St. Hilaire
4) Round Four Find A Way (Vocal + Version)
5) Rhythm & Sound w Tikiman – Why
6) Rhythm & Sound w- Tikiman – Ruff Way (Afefe Iku Remix) [Bootleg]
7) Round Three – Acting Crazy
8) Round Five – Na Fe Throw It
9) Paul St. Hilaire & Rhauder – Skank (Sushitech Record)
10) Paul St. Hilaire & Rhauder – Meanwhile (Sushitech Records)
11) Beat Pharmacy – Sunshine feat. Paul St Hilaire
12) Rhythm & Sound with Paul St. Hilaire – Free For All
13) Rhythm & Sound w/Tikiman – Never Tell You
14) Sideshow feat. Paul St Hilaire – If Alone (Chateau Flight remix)
15) Paul St. Hilaire & René Löwe – Faith (Vox Mix)
16) Deadbeat & Paul St. Hilaire Rise Again
17) Paul St. Hilaire & Rhauder Not Saying Much
18) Tikiman & Stereotyp – Fling style
19) Mind Over Midi feat. Paul St. Hilaire – Ital Swing
20) Paul St. Hilaire – Witaattitude
21) Rhythm & sound w/ tikiman – jah rule

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Lärmende Murmelbahn

Jelle Bakker von Jelle’s Marble Runs hat mit „Cacophony“ eine gigantische Murmelbahn gebaut, die ordentlich Krach machen soll. Die Maschine ist mit 2.000 Kugeln und allerlei anderen Effekten ausgestattet, die den Sound noch verstärken.

Finally, after 278 hours of work, I (Jelle) build this Marble Machine mostly from scrap wood and reused materials from older projects (maybe you recognize some parts). It has 2 dumpsters (tipping containers) which holds 1000 and 200 marbles. It has 128 bells and chimes, but also a large number of drums, funnels, springs, nails, wooden sticks and much more. The cabinet of this marble machine functions as a resonance box to improve the sounds of the marbles.


(Direktlink, via Laughing Squid)

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Wenn Schluchten Klang machen: Canyon Groove

Tolle Projekt-Idee, die visuelle Profile von diversen Schluchten zu Soundscapes macht: Canyon Groove.

WHERE THIS CAME FROM
When I saw this photograph, where the magnified microscopic record player needle sits between the vinyl record’s tracks I thought the groove walls looked like canyon walls. They look ridged and layered, and the shape of those walls is the music. I wondered whether it works the other way round. Could you take a real canyon, treat the cross-section as a groove, and use AI to drag a needle through the canyon grooves?
HOW IT WORKSE
ach canyon here is a real elevation profile, rim to rim, measured at 100 points. The floor sets the key. The shape of the walls sets the mood. The width sets how long one pass takes, and the depth sets the echo. Every voice crosses the profile at its own speed, and no two speeds line up. They fall in and out of step, so the music keeps changing. Two minutes in you have heard a piece. Twenty minutes in it still has not repeated.

(via Kottke)
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Ein Pokéball als Schlafzimmer im Wald

Die Inneneinrichtung eher schlicht, aber der drei Meter große Pokéball, eingebettet in die Wälder an einem See in Hokkaido, ist wirklich einladend. Falls ihr dort also mal in der Nähe sein solltet…

Now for the bad news. The Poké Ball room is not available to rent. One-night stays are being awarded as prizes by applying via the Pokémon Sleep X account. Winners are also responsible for their own travel expenses to Hokkaido, but all entries earn a code for in-app items in Pokémon Sleep, if that is any consolation.


(Direktlink, via BoingBoing)

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