Eine audio-visuelle Reise in die Welt der digitalen Harmonie: Superflow

Für mich ist das in erster Linie erstmal eins: feinster Augenzucker mit passend dazu gesynctem Sound. Für die Macher ist es natürlich viel mehr als „nur“ das.

If there is harmony in music, why not in visual art?

Superflow was a discovery Ian Clemmer made on October 30th 2009. It is a technique which changes the relationship of objects and the space between them. Superflow served as the foundation for a new type of particle software, which combines Superflow transformation with mathematical formulas such as the Superformula (discovered by Johan Gielis in 1997). In the development process he created the Polarflow Formula, a new type of formula which combines and further extends the RDTD framework laid by Whitney and the Superformula by Gielis. Polarflow Fundamentals is the foundation and combination of these formulas, and can help us understand the long journey that the theorem of pythagoras has taken. By combining mathematical formulas the possibilities with Superflow have become endless. The aim of this thesis was to start understanding the nature of Superflow, its connection to math and natural patterns, to develop a particle software which makes advanced use of Superflow and the Superformula, and to build a foundation of musical theory which can be applied to visual art. Music is to sound what Viusic is to light. The short animations produced for this thesis offer only a tiny glimpse into the Superflow Universe, and how it can be used to create Viusic.

(Direktlink, via Mururoar)