Cool 3D World mit einem frischen Beitrag für die Kategorie „Ich weiß es doch auch nicht!“.
Neues und wieder saugutes Video CGI-Magiers Maxim Zhestkov.
Optics is an experimental art film by Maxim Zhestkov exploring the behaviour of artificial light and colour in digital environments. Blending architectural gallery space with computer-generated digital glass sculptures, we encounter animated refractions, chromatic aberrations, colourful reflection and other conditions which are impossible in reality. A series of tests and explorations guides us through different optical conditions of the bright and colourful digital universe.
Hübsches Optikverbiegervideo von Eidy Knowles, welches er mit Musik von Freunden untermalt hat.
What do you think about on the train?
A short music video containing 3D visuals experimenting with strange perspectives dreamed up while travelling on the train to work. With music from friends.
Method Design was tapped by production company RSA to concept and create this year’s AICP Sponsor Reel. The AICP awards celebrate global creativity within commercial production. Method Design wanted to create an entertaining piece of design that encapsulates the innovative and prolific nature of this industry. Our aim was to showcase the AICP sponsors as various dancing avatars, which playfully reference the visual effects used throughout production. Motion capture, procedural animation and dynamic simulations combine to create a milieu of iconic pop dance moves that become an explosion of colorful fur, feathers, particles and more.
Keine Ahnung, was der Australier Andy Thomas hierfür genau unternimmt, um Vogelgesänge dreidimensional visualisieren zu können, aber es sieht in seiner Summe absolut großartig aus.
For these latest pieces he used archival bird recordings from the Netherlands Institute for Sound and Vision (in addition to one of his own recordings) to create these new digital sound sculptures that animate in different ways in reaction to the songs of each bird.
Tolle Idee, die von Felix Deimann fantastisch umgesetzt wurde.
My thesis, the experimental animation „Citius, Altius, Fortius“ (Latin for „Faster, Higher, Stronger“- the Olympic motto) explores the interplay of abstract shapes and motions.
How can the substance of motion be visualized. What degree of abstraction allows a communication with the viewer.
Therefor movements of famous Olympians where digitalised into 3D through motion tracking and rotoscoping of original footage of Olympic competitions. Camera motions and playback speed of the footage were borrowed and the movements of the athletes were recreated frame by frame.
The specific character of each sport is reflected in the visual language and the illustration of its motions.