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Schlagwort: Movies

The Simpsons Movie References [NSFW]

Alles taucht früher oder später immer wieder mal neu auf. Auch in Filmen und gerade bei den Simpsons. Vimeo-User cgmzz hat einiges davon mal zusammensortiert. Das ist ziemlich bis sehr großartig.

The Simpsons‘ tribute to Film industry.
Here’s some of the many tributes that The Simpsons‘ have paid to Cinema.
Along their 27 seasons this mythic tv show has used as reference movies from famous directors such as: Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola or Steven Spielberg.

(Direktlink, via reddit)

Films that appear:
Bram Stoker’s Dracula (1992)
A Clockwork Orange (1971)
Pulp Fiction (1994)
Requiem for a dream (2000)
The Gold Rush (1925)
Full Metal Jacket (1987)
The Fugitive (1993)
Terminator 2 (1991)
Reservoir Dogs (1992)
The Birds (1963)
Risky Business (1983)
Citizen Kane (1941)
Psycho (1960)
The silence of the lambs (1991)
Raiders of the Lost Ark (1981)
Basic Instinct (1992)
Official and Gentleman (1982)
One flew over the cuckoo’s nest (1975)
2001: A space Odissey (1968)
Trainspotting (1996)
Thelma and Louise (1991)
The Godfather (1972)
Taxi Driver (1976)
The Shining (1980)
Spiderman (2002)
ET the Extra-Terrestrial (1982)
Dr. Strange Love (1964)

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Super Cut: When The Evil Smiles

Auch das Böse hat mitunter gut Lachen. Ein Supercut von Semih Okmn. Besonders toll: der Soundtrack dazu.

(Direktlink, via Joanne Casey)

List of the Characters:
Agent Smith – The Matrix Series
Chucky
Joker – The Dark Knight
Joker/Jack Napier – Batman (1989)
Freddy Krueger – A Nightmare on Elm Street Series
Pennywise – It
Alex DeLarge – A Clockwork Orange
Amy Dunne – Gone Girl
John Doe – Se7en
Hans Landa – Inglourious Basterds
Sheev Palpatine/Darth Sidious – Star Wars Series
Lord Voldemort – Harry Potter Series
Tony Montana – Scarface
Le Chiffre – Casino Royale
Hans Gruber – Die Hard
Loki – Marvel Cinematic Universe
Anton Chigurh – No Country for Old Man
Hannibal Lecter – The Silence of the Lambs
Begbie – Trainspotting
Louis Bloom – Nightcrawler
T-1000 – Terminator 2: Judgment Day
Gollum – The Lord of the Rings: The Fellowship of the Ring
Roy Batty – Blade Runner
Tommy DeVito – Goodfellas
Fletcher – Whiplash
Daniel Plainview – There Will Be Blood
Calvin Candie – Django Unchained
Jack Torrance – The Shining
Alonzo Harris – Training Day
Harry Lime – The Third Man
Biff Tannen – Back to the Future Series
Nurse Ratched – One Flew Over the Cuckoo’s Nest
Patrick Bateman – American Psycho
Bill ‚The Butcher‘ Cutting – Gangs of New York
Mr. Potter – It’s a Wonderful Life
Betelgeuse – Beetlejuice
Magneto – X-Men Series
Verbal – The Usual Suspects
Norman Bates – Psycho

Ein Kommentar

Filmszenen als Hologramme in kleinen Boxen: Holorama

Jeff Desom baut hölzerne Boxen, in denen er Szenen aus verschiedenen Filmen von Hologrammen „nachspielen“ lässt. Nice.

Inspired by the great tradition of optical theatres, Holorama brings several iconic scenes from the history of cinema back to life. From Twin Peaks to The Big Lebowski, Holorama gives these famous scenes a third dimension using a simple holographic process based on a semi-transparent screen, mixing the image of an extremely faithfully built model with the characters extracted from the original scene. A new perspective and a tribute to cinema, accessible to all.

(Direktlink)

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Ein gebauter, scheinbar lebendiger Kopf

Spooky Teil, dieser Animatronic Kopf von Matt Denton, der 2012 für Edgar Wrights‘ „Ende der Welt“ und nach dem echten Kopf von Greg Townley gebaut wurde. Möchte man ja so nicht auf dem Flur finden, wenn man des Nächtens nach Hause kommt.

This is test footage and images of the animatronic head built for Edgar Wrights „The World’s End“. This is a fairly simple head with only eye and jaw movement but has just enough functionality to sell the gag! Used during the fight sequence in the toilets.


(Direktlink, via Joanne Casey)

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Quentin Tarantinos visual References

Man könnte jetzt meinen, das sei etwas weit hergeholt und ich bin auch so der Film-Nerd gar nicht, aber filmisch und in der direkten Gegenüberstellung erscheint das so in seiner Summe doch nachvollziehbar.

giphy-7

Many filmmakers pay homage, but Tarantino takes things a step further by replicating exact moments from a variety of genres and smashing them together to create his own distinct vision. Just like ‚Kill Bill: Vol 2‘ (2004) draws on ‚The Good, the Bad and the Ugly‘ (1966) and ‚Samurai Fiction‘ (1998), Tarantino’s work often reflects Spaghetti Westerns and Japanese cinema–both new and old. His unique way of referencing other films allows him to bend genre boundaries and shatter the mold of what we expect to experience. While his methods are often criticized and he is accused of „ripping off“ other filmmakers, it seems that Tarantino is simply writing love letters to the art he is ever so passionate about.

From German silent-cinema to American B movies, the following video uses split-screen to demonstrate a few of the hundreds of visual film references over the course of Tarantino’s career.

(Direktlink, via Devour)

Order:

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