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Eine Wohnsiedlung in Hong Kong aus Sicht einer Drohne: Wěndìng Fánróng

Mariana Bisti hat eine Drohne durch eine Hochhaussiedlung in Hong Kong manövriert und dabei ziemlich beeindruckende Aufnahmen gemacht, die einerseits verdammt eng wirken, andererseits aber auch vermitteln, dass dort viele Menschen auf vergleichsweise wenigen Quadratmetern wohnen können. Dazu kommt die Symmetrie der Darstellung. In der Summe kommt das irgendwie brutal.

Der dazu perfekt passende Sound kommt von Jan Jelinek.

The principle that organises the official identity of Hong Kong under Chinese rule reads: “wěndìng fánróng” (stability & prosperity). In fact, there is a missing subtext that one can borrow from Robert Venturi’s seminal book on postmodern architecture: complexity & contradiction*. The latter two terms reveal the complementary foundations upon which the official Chinese discourse constructs the image of HK as an exuberant and thriving community. Yet contemporary HK is more than that: its complex and contradictory nature stems from its turbulent historical past, its colonisation and decolonisation, its re-nationalisation, the constant movement of goods and capital, the social injustice and inequality, and above all, the perpetual movement of its people. This movement produces the political, cultural and social mix that generates a hybridised identity, with ephemeral foundations and fluid characteristics. HK’s contradictions and complexities are scribed on the body of its city, manifested in its urban landscape, in the organisation of working, living and public spaces. The city’s structural formations and functions encapsulate the spirit of its past, present and future, speak of its monstrosities and its miracles, uproot the official Chinese discourse and reveal a wealth of contradictions that constitute HK as one of the most attractive and mesmerizing dystopias on earth.
*Complexity and Contradiction in Architecture, Robert Venturi, Moma, 1977.

(Direktlink, via Gilly)

One Comment

  1. mate31. Juli 2017 um 19:55

    was für ein Alptraum. Ridley Scott könnte hier mal Blade Runner 2017 drehen.

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